Sony Alpha 6700 with 18-135mm lens | APS-C mirrorless camera (AI powered autofocus, 5-axis image stabilization)
ILCE6700MB.CEC
WAS £1,799.00 £1,649.00
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Sony Alpha 6700 with 18-135mm lens | APS-C mirrorless camera (AI powered autofocus, 5-axis image stabilization)

Small body. Extraordinary power.

ILCE6700MB.CEC

Save £250 on Selected Lenses When Bought With ILCE6700 Camera.

With an Exmor R CMOS sensor, BIONZ XR image processing engine, and enhanced AI subject recognition and tracking, the a6700 is a next-generation compact APS-C model that offers extraordinary performance for both stills and movies.

  • APS-C format back-illuminated Exmor R™ CMOS sensor with 26.0 megapixels
  • Advanced BIONZ XR™ engine boosts overall processing speed by up to 8x
  • AI processing unit for wider, more accurate subject recognition
  • COMPACTNESS WITHOUT COMPROMISE Designed for adventures, the Alpha 6700 is compact and lightweight. Enjoy a full-touch rotating screen, clear electronic viewfinder, and an additional front dial for intuitive shooting. Its dust and moisture resistance, along with a magnesium alloy shell, ensures durability in any environment.
  • EASILY SHARE WITH EVERYONE Unleash limitless creativity with the Alpha 6700. Experience exceptional image quality and stunning bokeh with a wide range of lenses. Seamlessly connect to your smartphone via the Creators' App for stable image transfer. Transform the camera into a high-quality 4K webcam for online meetings and streaming. Utilize Sony's Creators' Cloud platform for collaborative production.
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FEATURES

AI Processing Unit


The a6700’s AF system delivers dramatically enhanced overall performance, drawing on major improvements in subject recognition performance. Deep learning technology supports powerful Real-time Recognition AF and more reliable Real-time Tracking[FN|[Tracking] in the menu. Based on advanced artificial intelligence, including machine learning.] of a wider variety of subjects.

A new level of image quality


The advanced Exmor R CMOS image sensor with 26.0[FN|Approximate effective pixels.] effective megapixels is packed with Sony's image sensor technologies, offering extraordinary sensitivity, resolution and dynamic range. This combines with the new powerful BIONZ XR™ image processing engine to deliver natural gradations and realistic colours. The camera allows for sensitivity settings from ISO 100 to ISO 32000[FN|Expandable to ISO 50 - 102400 for stills.] for both stills and movies, providing even more flexibility for shooting in a wide variety of settings, including indoors and low light.

Optical 5-axis image stabilisation


Shoot hand-held or in low light with confidence. The 5-axis in-body optical image stabilisation system detects and compensates for various types of camera shake. The latest precision gyro sensors provide image stabilisation that’s equivalent to a 5-step increase in shutter speed[FN|Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off.] — ideal for slow shutter photography, such as when shooting indoors or night scenes. An updated algorithm detects pixel-level camera shake, resulting in more effective stabilisation than previous models.  [1] Yaw  [2] Roll  [3] Pitch

Selectable RAW image sizes and quality


In addition to compressed RAW capture, the a6700 supports lossless compressed RAW capture, achieving high-speed compression without image degradation that allows a greater number of high-quality images to be captured in continuous bursts. A new Light image quality option that generates less data is provided for JPEG and HEIF images.[FN|The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images.]

Creative Look


Creative Look offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or adjusted to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately.

10-bit HEIF still-image format for smooth gradations[FN|The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images.]


For the first time in an APS-C camera, the a6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones without banding. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space.

Real-time Recognition AF for human


The a6700 uses subject form data to recognise movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognise body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face obscured by sunglasses or a helmet.

Real-time Recognition AF for wider range of subjects


In addition to humans and animals, the a6700 now recognises birds, insects, cars, trains and airplanes[FN|All specified subjects may not be accurately recognised in all conditions. Subject types other than the type specified may be erroneously recognised in some cases.], providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognised in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%[FN|Sony internal tests.] higher compared to the a6600.

Faster, more precise AF system


The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points,[FN|The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode.] covering approximately 93% of the image area when shooting stills. Deep learning technology supports powerful Real-time Recognition AF as well as more reliable Real-time Tracking, in turn supported by higher Fast Hybrid AF performance over a wider area.

Shoot more than 1000 images at high speed[FN|JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions.]


The a6700’s powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. The camera can also shoot silently and continuously[FN|Up to 11 fps in continuous “Hi+” mode. Maximum continuous shooting speed will depend on camera settings.] with the camera’s noiseless, vibration-free electronic shutter at speeds up to 11 fps[FN|Some image distortion may occur when shooting fast-moving subjects or when panning or otherwise moving the camera rapidly.] with full resolution and AF/AE tracking.

Accurate AF in low EV -3.0 light


The latest AF algorithms achieve high AF precision down to light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures.

Full-time DMF[FN|Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM OSS lens in AF-C mode.]


When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly.

Focus bracketing to capture the best shot[FN|A-mount lenses not supported.]


The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to custom intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus.

Outstanding 4K movie recording


The a6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony’s proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 colour sampling[FN|Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows:24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps.].

Expressive S-Cinetone™


Incorporating the same colour science as the highly regarded CineAlta and Cinema Line, the a6700 includes Sony’s S-Cinetone picture profile as a preset, delivering images with more faithful colour reproduction and natural skin tones.

S-Log3 gamma curve with 14+ stops[FN|S-Log3 movies. Sony internal tests.] of latitude


S-Log3 gamma curve with 14+ stops[FN|S-Log3 movies. Sony internal tests.] of latitude (45)The S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops[FN|S-Log3 movies. Sony internal tests.] of latitude for creative colour grading possibilities.

Import and use custom LUT files


See how your footage will look in post-processing while you’re shooting S-Log. The a6700 allows you to import a user LUT (Look Up Table) in the .cube format that can be applied to the camera’s monitor image to preview what the images will look like when the LUT is applied in post-production.

Smarter Real-time Tracking[FN|[Tracking] in the menu. Based on advanced artificial intelligence, including machine learning.]


The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The a6700 can even track people wearing helmets, or animals facing away from the camera.[FN|Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations.]

High frame rate 4K 120p recording[FN|QFHD (3840 x 2160) with approx. 38 % image crop.]


High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasised or transformed into smooth slow motion. S&Q mode [FN|Audio recording is not available in the S&Q mode.] also enables recording of slow or quick motion sequences in camera from the outset.

Active Mode for enhanced movie image stabilisation[FN|Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer.]


Active Mode[FN|Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer.] provides powerful image stabilisation for handheld movie shooting. The a6700 can accurately detect camera shake which is then precisely compensated for optically, providing highly effective stabilisation without sacrificing mobility, even when shooting 4K[FN|Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q.].

AI-based Auto Framing for movies[FN|Available only for movies. Framing is cropped from 4K images, resulting in reduced angle of view.]


Through AI-based subject recognition technology, the Auto Framing feature automatically crops the frame to keep the subject in a prominent position when shooting movies. Even if the camera is mounted on an unmanned tripod, framing is continually adjusted so that recorded footage looks like the subject was being followed by an experienced camera operator.

In-camera time-lapse creation[FN|Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K.]


The in-camera time-lapse function allows you to create time-lapse videos within the camera itself. The exposure interval[FN|Maximum exposure interval is 6 seconds when shooting 4K.] can be set from 1 second to 60 seconds, making it easy to compress slow action into enjoyable time-lapse sequences. When a compatible video light (sold separately) is attached to the camera, it can be set to turn on just before each exposure so that time-lapse sequences can be shot in low-light settings.

Breathing compensation for consistent angle of view[FN|Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills.]


When shooting movies with compatible lenses, breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production[FN|Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera.].

Focus tools for shooting video


Movie making is made simpler with the Focus Map[FN|The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use.] function that allows you to visualise depth of field when recording video. Focus information is overlaid on the live view display in real time so that you can easily identify the in-focus and out-of-focus areas — particularly useful when shooting with a large-aperture to create a narrow depth of field. The camera also offers peaking display, making it possible to check auto and manual focus while recording.

High-performance electronic viewfinder


A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification[FN|With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x.] renders your world in exceptional detail. With twice the brightness of the a6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the standard rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects.

View from every angle


Whether you’re shooting handheld or with gimbal, the a6700’s large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor provides broad positioning and framing freedom so you can capture the shots you need. It also provides a huge advantage for very low ground-level shots, or other narrow shooting environments, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies.

Intuitive touch control


Just touch the screen to easily activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures.

Easy and stable smartphone connectivity


Make the most of the a6700’s greatly enhanced connection stability with Sony’s free Creators’ App[FN|Check regional availability of services and applications via the URL below.https://www.sony.net/cca/] that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.[FN|Transfer may be interrupted when a different app is launched on some operating systems.] You can also use your smartphone to control the camera remotely. Plus, improved high-performance wireless connectivity makes backing-up, sharing and working with remote teams even smoother.

Stream high-quality live content


Connect the a6700 to a personal computer or smartphone[FN|When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB2.0. maximum image resolution is HD (720p) and maximum frame rate is 30p.] via USB to turn it into a 4K (2160p) webcam with advanced AF functions that make online meetings and live streaming events even smoother.

Durable hardware


The a6700 is built for tough working environments while maintaining its compact size thanks to its durable yet lightweight magnesium alloy chassis. It is also equipped with a reliable low-vibration shutter, tested to perform beyond 200,000 shutter cycles[FN|Depending on the time of production, SORPLAS™ may not be used for some parts.].

USB PD (Power Delivery) supports fast charging


USB PD (Power Delivery) is supported for fast in-camera battery charging[FN|Transfer may be interrupted when a different app is launched on some operating systems.], supplying 3 to 4 times more power than previous models. A USB charger or mobile battery that supports USB PD[FN|When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB2.0. maximum image resolution is HD (720p) and maximum frame rate is 30p.] can be connected to the camera's USB Type-C® port so you can undertake extended shoots with ample power supply.

Recycled materials in our digital camera products


Sony cameras are partly made with SORPLAS™, a repeatedly recyclable, durable, high-quality material[FN|Depending on the time of production, SORPLAS™ may not be used for some parts.] developed in-house. We specifically designed it to reduce stress on the environment without compromising performance or functionality in any way. 379 tons[FN|Approximate. Sony survey of products and supplied accessories produced from April 2012 through March 2022.] of virgin plastic have been replaced by recycled plastics in our digital cameras and digital video cameras over approximately the past ten years.

Information on security updates


Where a Sony product contains software that is subject to updates, Sony may issue security updates and updates necessary for the proper functioning of the device.

SPECIFICATIONS

General
CAMERA TYPE
Interchangeable lens digital camera
LENS MOUNT
E-mount
Camera Section
SENSOR TYPE
APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor
Number of Pixels (total)
Approx. 27.0 megapixels
NUMBER OF PIXELS (EFFECTIVE)
Still images: Approx. 26.0 megapixels max., Movies: Approx. 19.9 megapixels max.
OPTICAL LOW PASS FILTER
-
COLOR TEMPERATURE RANGE
2500 K - 9900 K
Image Sensor
Anti-Dust System
Yes
Recording (still images)
Recording Format
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Image Size (pixels) [3:2]
APS-C L: 6192 x 4128 (26 M), M: 4384 x 2920 (13 M), S: 3104 x 2064 (6.4 M)
Image Quality Modes
RAW, JPEG, HEIF (4:2:0 / 4:2:2), RAW & JPEG, RAW & HEIF
14bit RAW
Yes
Recording (movie)
Recording Format
Yes
Recording system (movie)
MOVIE RECORDING FORMAT (XAVC HS 4K)
3840 x 2160 (4:2:0, 10bit) (Approx.):119.88p (200 Mbps), 3840 x 2160 (4:2:0, 10bit) (Approx.):100p (200 Mbps), 3840 x 2160 (4:2:0, 10bit) (Approx.):59.94p (150 Mbps / 75 Mbps / 45 Mbps), 3840 x 2160 (4:2:0, 10bit) (Approx.):50p (150 Mbps / 75 Mbps / 45 Mbps), 3840 x 2160 (4:2:0, 10bit) (Approx.):23.98p (100 Mbps / 50 Mbps / 30 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):119.88p (280 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):100p (280 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):59.94p (200 Mbps / 100 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):50p (200 Mbps / 100 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):23.98p (100 Mbps / 50 Mbps)
Video Compression
XAVC S: MPEG-4 AVC / H.264, XAVC HS: MPEG-H HEVC / H.265
MOVIE RECORDING FORMAT (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit) (Approx.):119.88p (200 Mbps), 3840 x 2160 (4:2:0, 8bit) (Approx.):100p (200 Mbps), 3840 x 2160 (4:2:0, 8bit) (Approx.):59.94p (150 Mbps), 3840 x 2160 (4:2:0, 8bit) (Approx.):50p (150 Mbps), 3840 x 2160 (4:2:0, 8bit) (Approx.):29.97p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:0, 8bit) (Approx.):25p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:0, 8bit) (Approx.):23.98p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):119.88p (280 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):100p (280 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):59.94p (200 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):50p (200 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):29.97p (140 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):25p (140 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):23.98p (100 Mbps)
Audio Recording Format
LPCM 2ch (48 kHz 16 bit)?LPCM 2ch (48 kHz 24 bit)?LPCM 4ch (48 kHz 24 bit)
MOVIE RECORDING FORMAT (XAVC S HD)
1920 x 1080 (4:2:0, 8bit) (Approx.):119.88p (100 Mbps / 60 Mbps), 1920 x 1080 (4:2:0, 8bit) (Approx.):100p (100 Mbps / 60 Mbps), 1920 x 1080 (4:2:0, 8bit) (Approx.):59.94p (50 Mbps / 25 Mbps), 1920 x 1080 (4:2:0, 8bit) (Approx.):50p (50 Mbps / 25 Mbps), 1920 x 1080 (4:2:0, 8bit) (Approx.):29.97p (50 Mbps / 16 Mbps), 1920 x 1080 (4:2:0, 8bit) (Approx.):25p (50 Mbps / 16 Mbps), 1920 x 1080 (4:2:0, 8bit) (Approx.):23.98p (50 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):59.94p (50 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):50p (50 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):29.97p (50 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):25p (50 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):23.98p (50 Mbps)
MOVIE RECORDING FORMAT (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10bit) (Approx.):59.94p (600 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):50p (500 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):29.97p (300 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):25p (250 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):23.98p (240 Mbps)
MOVIE RECORDING FORMAT (XAVC HS 4K)
3840 x 2160 (4:2:0, 10bit) (Approx.):119.88p (200 Mbps), 3840 x 2160 (4:2:0, 10bit) (Approx.):100p (200 Mbps), 3840 x 2160 (4:2:0, 10bit) (Approx.):59.94p (150 Mbps / 75 Mbps / 45 Mbps), 3840 x 2160 (4:2:0, 10bit) (Approx.):50p (150 Mbps / 75 Mbps / 45 Mbps), 3840 x 2160 (4:2:0, 10bit) (Approx.):23.98p (100 Mbps / 50 Mbps / 30 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):119.88p (280 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):100p (280 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):59.94p (200 Mbps / 100 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):50p (200 Mbps / 100 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):23.98p (100 Mbps / 50 Mbps)
MOVIE RECORDING FORMAT (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit) (Approx.):59.94p (222 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):50p (185 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):29.97p (111 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):25p (93 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):23.98p (89 Mbps)
MOVIE RECORDING FORMAT (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit) (Approx.):119.88p (200 Mbps), 3840 x 2160 (4:2:0, 8bit) (Approx.):100p (200 Mbps), 3840 x 2160 (4:2:0, 8bit) (Approx.):59.94p (150 Mbps), 3840 x 2160 (4:2:0, 8bit) (Approx.):50p (150 Mbps), 3840 x 2160 (4:2:0, 8bit) (Approx.):29.97p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:0, 8bit) (Approx.):25p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:0, 8bit) (Approx.):23.98p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):119.88p (280 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):100p (280 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):59.94p (200 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):50p (200 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):29.97p (140 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):25p (140 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):23.98p (100 Mbps)
Recording Format
Yes
MOVIE RECORDING FORMAT (XAVC S HD)
1920 x 1080 (4:2:0, 8bit) (Approx.):119.88p (100 Mbps / 60 Mbps), 1920 x 1080 (4:2:0, 8bit) (Approx.):100p (100 Mbps / 60 Mbps), 1920 x 1080 (4:2:0, 8bit) (Approx.):59.94p (50 Mbps / 25 Mbps), 1920 x 1080 (4:2:0, 8bit) (Approx.):50p (50 Mbps / 25 Mbps), 1920 x 1080 (4:2:0, 8bit) (Approx.):29.97p (50 Mbps / 16 Mbps), 1920 x 1080 (4:2:0, 8bit) (Approx.):25p (50 Mbps / 16 Mbps), 1920 x 1080 (4:2:0, 8bit) (Approx.):23.98p (50 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):59.94p (50 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):50p (50 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):29.97p (50 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):25p (50 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):23.98p (50 Mbps)
Video Compression
XAVC S: MPEG-4 AVC / H.264, XAVC HS: MPEG-H HEVC / H.265
MOVIE RECORDING FORMAT (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10bit) (Approx.):59.94p (600 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):50p (500 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):29.97p (300 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):25p (250 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.):23.98p (240 Mbps)
MOVIE RECORDING FORMAT (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit) (Approx.):59.94p (222 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):50p (185 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):29.97p (111 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):25p (93 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.):23.98p (89 Mbps)
Audio Recording Format
LPCM 2ch (48 kHz 16 bit)?LPCM 2ch (48 kHz 24 bit)?LPCM 4ch (48 kHz 24 bit)
Movie Functions
SLOW & QUICK MOTION (SHOOTING FRAME RATE)
Yes
PROXY RECORDING
Yes
TC / UB
Yes
RAW OUTPUT
-
Recording System
Memory Card Slot
Slot for SD (UHS-I / II compliant) memory card
Focus System
Focus Type
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
FOCUS POINT
Still images: Max. 759 points (phase-detection AF), Movies: Max. 495 points (phase-detection AF)
FOCUS SENSITIVITY RANGE
EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
RECOGNITION TARGET (STILL IMAGES)
Human, Animal, Bird, Insect, Car, Train, Airplane
RECOGNITION TARGET (MOVIES)
Human, Animal, Bird, Insect, Car, Train, Airplane
OTHER FEATURES
AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V / H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)
AF ILLUMINATOR
Yes (with Built-in LED type)
Exposure Control
METERING TYPE
1200-zone evaluative metering
METERING SENSITIVITY
EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
EXPOSURE COMPENSATION
+ / - 5.0 EV (1 / 3 EV, 1 / 2 EV steps selectable)
ISO SENSITIVITY
Still images: ISO 100 - 32000 (expandable to ISO 50 - 102400), AUTO (ISO 100 - 6400, selectable lower limit and upper limit), Movies: ISO 100 - 32000 equivalent, AUTO (ISO 100 - 6400, selectable lower limit and upper limit)
ANTI-FLICKER SHOOT.
Yes
Viewfinder
Type
1.0 cm (0.39 type) electronic viewfinder (XGA OLED)
Number of Dots
2 359 296 dots
Magnification
Approx. 1.07x (35 mm camera equivalent: Approx. 0.70x) with 50 mm lens at infinity, -1 m<sup>-1< / sup>
DIOPTRE
-4.0 to +3.0 m<sup>-1< / sup>
Eye Point
Approx. 22 mm from the eyepiece lens, 19.4 mm from the eyepiece frame at -1 m<sup>-1< / sup> (CIPA standard)
Finder Frame Rate Selection
NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps
LCD Screen
Monitor Type
7.5 cm (3.0-type) type TFT
Touch Panel
Yes
Number of Dots
1 036 800 dots
Adjustable Angle
Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270 °
Other Features
OTHER FEATURES
Soft Skin Effect, Creative Look, Custom function, Picture Profile, Time-lapse, Auto Framing, My Image Style
CLEAR IMAGE ZOOM (STILL IMAGES)
Approx. 2x
CLEAR IMAGE ZOOM (MOVIES)
Approx. 1.5x (4K), Approx. 2x (HD)
Shutter
Shutter Type
Mechanical shutter / Electronic shutter
Shutter Speed
Still images (Mechanical shutter): 1 / 4000 to 30 s, Bulb, Still images (Electronic shutter): 1 / 8000 to 30 s, Movies: 1 / 8000 to 1 s
Flash Sync. Speed
1 / 160 s
Electronic Front Curtain Shutter
Yes (ON / OFF)
Image Stabilization
Type
Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
Compensation Effect
5.0 stops (based on CIPA standard. Pitch / yaw shake only. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.)
MODE
Still images: On / Off, Movie: Active / Standard / Off
MODE
Still images: On / Off, Movie: Active / Standard / Off
Flash
Type
-
Control
Pre-flash TTL
Type
-
Control
Pre-flash TTL
Flash Compensation
+ / - 3.0 EV (switchable between 1 / 3 and 1 / 2 EV steps)
Flash Compensation
+ / - 3.0 EV (switchable between 1 / 3 and 1 / 2 EV steps)
External Flash Compatibility
Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe
External Flash Compatibility
Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe
Drive
Continuous Drive Speed (approx. max.)
Hi+: 11 fps
Continuous Drive Speed (approx. max.)
Hi+: 11 fps
NO. OF FRAME RECORDABLE (APPROX.)
JPEG Extra fine L: 143 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: 59 frames, RAW & JPG: 44 frames, RAW (Lossless Compressed): 23 frames, RAW (Lossless Compressed) & JPEG: 18 frames
NO. OF FRAME RECORDABLE (APPROX.)
JPEG Extra fine L: 143 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: 59 frames, RAW & JPG: 44 frames, RAW (Lossless Compressed): 23 frames, RAW (Lossless Compressed) & JPEG: 18 frames
Pixel Shift Multi Shooting
-
Pixel Shift Multi Shooting
-
Playback
Modes
Enlarged display mode, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture
Modes
Enlarged display mode, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture
Accessibility
FUNCTIONS
Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF, Touch Focus, Touch Tracking, Touch Shutter, Touch AE, Vari-angle LCD screen, Custom function
FUNCTIONS
Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF, Touch Focus, Touch Tracking, Touch Shutter, Touch AE, Vari-angle LCD screen, Custom function
Interface
PC Interface
Mass Storage / MTP
Multi / Micro USB Terminal
-
PC Interface
Mass Storage / MTP
Multi / Micro USB Terminal
-
USB TYPE-C TERMINAL
Yes (SuperSpeed USB 5 Gbps (USB 3.2) compatible)
Sync Terminal
-
NFC
-
Sync Terminal
-
WIRELESS LAN(BUILT-IN)
Yes (Wi-Fi Compatible, IEEE 802.11a / b / g / n / ac (2.4 GHz band / 5 GHz band))
WIRELESS LAN(BUILT-IN)
Yes (Wi-Fi Compatible, IEEE 802.11a / b / g / n / ac (2.4 GHz band / 5 GHz band))
Bluetooth
Yes (Bluetooth Standard Ver. 4.2 (2.4 GHz band))
HDMI OUTPUT
HDMI micro connector (Type-D), 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit
Bluetooth
Yes (Bluetooth Standard Ver. 4.2 (2.4 GHz band))
HDMI OUTPUT
HDMI micro connector (Type-D), 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit
Multi Interface Shoe
Yes (with Digital Audio Interface)
Multi Interface Shoe
Yes (with Digital Audio Interface)
Mic Terminal
Yes (3.5 mm Stereo minijack)
Headphone Terminal
Yes (3.5 mm Stereo minijack)
Mic Terminal
Yes (3.5 mm Stereo minijack)
REMOTE CONTROL (WIRELESS)
Yes (Bluetooth remote control)
Headphone Terminal
Yes (3.5 mm Stereo minijack)
LAN Terminal
-
REMOTE CONTROL (WIRELESS)
Yes (Bluetooth remote control)
LAN Terminal
-
FUNCTIONS
Send to smartphone, Remote control via smartphone, PC Remote
FUNCTIONS
Send to smartphone, Remote control via smartphone, PC Remote
USB TYPE-C TERMINAL
Yes (SuperSpeed USB 5 Gbps (USB 3.2) compatible)
NFC
-
USB Streaming
VIDEO DATA FORMAT
MJPEG, YUV420
VIDEO RESOLUTION
3840 x 2160 (15p / 30p), 3840 x 2160 (12.5p / 25p), 1920 x 1080 (30p / 60p), 1920 x 1080 (25p / 50p), 1280 x 720 (30p), 1280 x 720 (25p)
VIDEO DATA FORMAT
MJPEG, YUV420
AUDIO DATA FORMAT
LPCM 2ch (16bit 48 kHz)
VIDEO RESOLUTION
3840 x 2160 (15p / 30p), 3840 x 2160 (12.5p / 25p), 1920 x 1080 (30p / 60p), 1920 x 1080 (25p / 50p), 1280 x 720 (30p), 1280 x 720 (25p)
AUDIO DATA FORMAT
LPCM 2ch (16bit 48 kHz)
Audio
Microphone
Built-in, stereo
Speaker
Built-in, monaural
Microphone
Built-in, stereo
Speaker
Built-in, monaural
Lens Compensation
Setting
Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Setting
Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Power
Supplied battery
One rechargeable battery pack NP-FZ100
Battery Life (Still Images)
Approx. 550 shots (Viewfinder) / Approx. 570 shots (LCD monitor) (CIPA standard)
Supplied battery
One rechargeable battery pack NP-FZ100
Battery Life (Movie, actual recording)
Approx. 95 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard)
Battery Life (Still Images)
Approx. 550 shots (Viewfinder) / Approx. 570 shots (LCD monitor) (CIPA standard)
Battery Life (Movie, continuous recording)
Approx. 190 min (Viewfinder) / Approx. 185 min (LCD monitor) (CIPA standard)
Battery Life (Movie, actual recording)
Approx. 95 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard)
Internal Battery Charge
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
USB Power supply
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Battery Life (Movie, continuous recording)
Approx. 190 min (Viewfinder) / Approx. 185 min (LCD monitor) (CIPA standard)
Power consumption with Viewfinder
Still images: Approx. 3.6 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached), Movies: Approx. 5.2 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached)
Internal Battery Charge
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Power consumption with LCD screen
Still images: Approx. 3.5 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached), Movies: Approx. 5.3 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached)
USB Power supply
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Power consumption with Viewfinder
Still images: Approx. 3.6 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached), Movies: Approx. 5.2 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached)
WEIGHT (CIPA COMPLIANT)
BODY ONLY
Approx. 409 g / Approx. 0 lb 14.5 oz
Size & Weight
Weight (with battery and memory card included)
Approx. 493 g / Approx. 1 lb 1.4 oz
WEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED)
Approx. 493 g / Approx. 1 lb 1.4 oz
Weight
BODY ONLY
Approx. 409 g / Approx. 0 lb 14.5 oz
Power consumption with LCD screen
Still images: Approx. 3.5 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached), Movies: Approx. 5.3 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached)
WEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED)
Approx. 493 g / Approx. 1 lb 1.4 oz
BODY ONLY
Approx. 409 g / Approx. 0 lb 14.5 oz
BODY ONLY
Approx. 409 g / Approx. 0 lb 14.5 oz
BODY ONLY
Approx. 409 g / Approx. 0 lb 14.5 oz
BODY ONLY
Approx. 409 g / Approx. 0 lb 14.5 oz
WEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED)
Approx. 493 g / Approx. 1 lb 1.4 oz
Dimensions (W x H x D)
Approx. 122.0 x 69.0 x 75.1 mm, Approx. 122.0 x 69.0 x 63.6 mm (from grip to monitor) / Approx. 4 7 / 8 x 2 3 / 4 x 3 inches, Approx. 4 7 / 8 x 2 3 / 4 x 2 5 / 8 inches (from grip to monitor)
Weight (with battery and memory card included)
Approx. 493 g / Approx. 1 lb 1.4 oz
Dimensions (W x H x D)
Approx. 122.0 x 69.0 x 75.1 mm, Approx. 122.0 x 69.0 x 63.6 mm (from grip to monitor) / Approx. 4 7 / 8 x 2 3 / 4 x 3 inches, Approx. 4 7 / 8 x 2 3 / 4 x 2 5 / 8 inches (from grip to monitor)
BODY ONLY
Approx. 409 g / Approx. 0 lb 14.5 oz
Operating temparature
OPERATING TEMPERATURE
0 - 40 ? / 32 - 104 °F
Dimensions (W x H x D)
Approx. 122.0 x 69.0 x 75.1 mm, Approx. 122.0 x 69.0 x 63.6 mm (from grip to monitor) / Approx. 4 7 / 8 x 2 3 / 4 x 3 inches, Approx. 4 7 / 8 x 2 3 / 4 x 2 5 / 8 inches (from grip to monitor)
Dimensions (W x H x D)
Approx. 122.0 x 69.0 x 75.1 mm, Approx. 122.0 x 69.0 x 63.6 mm (from grip to monitor) / Approx. 4 7 / 8 x 2 3 / 4 x 3 inches, Approx. 4 7 / 8 x 2 3 / 4 x 2 5 / 8 inches (from grip to monitor)
OPERATING TEMPERATURE
0 - 40 ? / 32 - 104 °F
Supplied Accesory
WHATS IN THE BOX
SEL18135, Rechargeable Battery NP-FZ100, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup, Lens hood, Lens cap, Lens rear cap
OPERATING TEMPERATURE
0 - 40 ? / 32 - 104 °F
WHATS IN THE BOX
SEL18135, Rechargeable Battery NP-FZ100, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup, Lens hood, Lens cap, Lens rear cap
OPERATING TEMPERATURE
0 - 40 ? / 32 - 104 °F
WHATS IN THE BOX
SEL18135, Rechargeable Battery NP-FZ100, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup, Lens hood, Lens cap, Lens rear cap
WHATS IN THE BOX
SEL18135, Rechargeable Battery NP-FZ100, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup, Lens hood, Lens cap, Lens rear cap