Alpha 7 IV full-frame hybrid camera with Sony 28-70 mm F3.5-5.6 Kit Lens

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Alpha 7 IV full-frame hybrid camera with Sony 28-70 mm F3.5-5.6 Kit Lens

Name: Alpha 7 IV full-frame hybrid camera with Sony 28-70 mm F3.5-5.6 Kit Lens
Brand: SONY
SKU: 43742
Price: 2199.0000 GBP
Availability: InStock

The a7 IV is the ideal hybrid, providing breathtaking still and movie imagery for today's creators.

ILCE7M4KB.CEC

With groundbreaking performance in both still and movie recording, the a7 IV is the ideal hybrid, providing breathtaking imagery along with connectivity for on-the-spot delivery and distribution. The a7 IV is a camera designed to bring to life the artistic visions of todays creators.

33.0-megapixel* full-frame back-illuminated Exmor R™ CMOS image sensor (*Approximate, effective.)
BIONZ XR™, plus still and movie features inherited from our flagship models
On-the-spot streaming and sharing of high-quality content
VIDEO CONTENT CREATION AT ITS BEST : Record your content in 4K glory at up to 60p with full pixel readout and no binning for the best quality. For seasoned filmmakers, the Alpha 7 IV can record in 4:2:2 10 bits and includes S-CINETONE/S-LOG 3 picture profiles for a cinematic look and ease of editing. Paired with blazing fast Real-time autofocus technology, track your subject's eye in motion with ease - it works for humans, animals, and birds. The Alpha 7 IV also includes unique video tools such as breathing compensation, a digital audio interface to attach professional audio microphones and a heat dissipation structure for long recording sessions.
YOUR CONTENT, ALWAYS CONNECTED: The Alpha 7 IV has livestreaming at up to 4K15p or Full HD 60p without the need for a capture card to keep you connected with your audience at all times. With the latest USB-C gen 3.2 compatibility, ultrafast Wi-Fi chip, and an automatic Bluetooth image backup mode on this streaming camera, transfer and share instantly your images with the world.

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FEATURES

Newly developed 33.0MP[FN|Approximate, effective.] back-illuminated CMOS image sensor

The full-frame Exmor R™ CMOS sensor delivers outstanding speed and superb image quality. The use of copper wiring contributes to higher transmission speeds and faster AD conversion, while fast sensor readout enables 10-bit 4:2:2 4K recording at up to 60p[FN|QFHD (3840×2160). 4K 60p (50p) recording available in Super 35 mode only.]. The sensor also provides improved colour reproducibility, low-noise performance at all sensitivities, 15-stop[FN|Sony test conditions, still images.] dynamic range on stills, and increased AF precision and focal stability.

BIONZ XR™ image processor for up to 8x[FN|Compared to the BIONZ X image processing engine. Sony tests.] processing speed

The BIONZ XR engine, also used in the flagship a1 and a7S III models, provides up to an 8x[FN|Compared to the BIONZ X image processing engine. Sony tests.] increase in processing speed. The engine concentrates real-time processing of AF, image recognition and image quality adjustment to minimise processing latency, for greatly increased movie and still processing power. User interface, network, and file management processing is distributed in order to deliver fast response regardless of real-time processing load.

Beautiful image rendering with low noise

Visible benefits of the powerful new 33.0MP[FN|Approximate, effective.] sensor and engine go beyond mere numbers. They include soft, natural-looking human skin textures, a stunning level of detail in landscapes and scenery, and better colour reproduction, with higher subjective resolution resulting from improved algorithms. The standard sensitivity range of ISO 100-51200 is expandable to ISO 50-204800 for stills and ISO 100-102400 for movies, with low-noise performance throughout.

Smoother gradation rendering with 10-bit HEIF recording

The a7 IV offers HEIF (High Efficiency Image File)[FN|Imaging Edge Desktop (Remote/Viewer/Edit) version 3.2 or later is required to view and edit HEIF images.] still-image encoding, in addition to conventional RAW and JPEG. Smooth 10-bit gradations provide more realistic reproduction of skies and portrait subjects, and the use of 10-bit depth minimises degradation of image quality when editing. HEIF still images recorded in HLG mode can be played back on a compatible BRAVIA 4K TV, via an HDMI connection, to display images with an extraordinarily wide dynamic range.

4K 60p[FN|QFHD (3840×2160). 4K 60p (50p) recording available in Super 35 mode only.] recording, 4:2:2 10-bit recording

The a7 IV gives you an impressive range of video recording options. Full pixel readout without binning allows 4K 60p[FN|QFHD (3840×2160). 4K 60p (50p) recording available in Super 35 mode only.] recording, and when recording 4K movies at 30p, full-frame 7K[FN|7032 x 3958.] oversampling[FN|At 4K 30p/24p (25p).] produces high-resolution, highly detailed 4K. 10-bit 4:2:2 video can be recorded internally, allowing fuller, more natural gradations and greater editing freedom. The XAVC HS™ file format[FN|XAVC HS compatible editing software is required. XAVC HS format uses the MPEG-H HEVC/H.265 high-efficiency codec.] provides roughly twice the coding efficiency of MPEG-4 AVC/H.264.

Set the mood, in-camera, with Creative Look

Broaden your creative palette with a selection of ten Creative Look presets. You can easily impart a particular mood in your still images, movies and live streaming, and all preset selections are available in-camera without post-editing, so you can share your vision immediately after shooting.

Beautiful colour expression made simple, with S-Cinetone™

The a7 IV supports S-Cinetone, based on expertise gained through development of the VENICE CineAlta camera. This look is responsible for the beautiful skin tones for which Cinema Line cameras like the FX9, FX6 and FX3 are widely acclaimed. It delivers natural mid-tones for healthy-looking skin colour, plus soft colours and gorgeous highlights. Because it's in-camera, it's easy to create a more expressive look for your movie imagery without post-editing.

S-Log for colour matching with professional video equipment

The a7 IV provides S-Log2 and S-Log3 gamma curves, with the latter allowing capture of 15+ stops[FN|S-Log3, Sony internal tests.] of dynamic range. The S-Gamut3 and S-Gamut3.Cine colour gamut settings make it easy to match a7 IV footage with footage from VENICE digital cinema cameras or Cinema Line cameras like the FX6 and FX3. The native sensitivity when shooting S-Log is ISO 800, and it can be lowered by as much as two stops (ISO 200-640) below the standard range to achieve extra low noise.

Soft Skin Effect for bright and beautiful skin appearance

The built-in Soft Skin Effect makes skin look more beautiful, softening wrinkles, blemishes and dull patches while preserving liveliness in eye and mouth areas. Complementing the capabilities of the full-frame sensor, this feature can add appeal to live-streamed sessions as well as enhancing still shots and movies. Four level settings are available[FN|Available settings for this feature are OFF, LO, MID, and HI.], so you can adjust the degree of the effect as you wish.

Optical 5-axis in-body image stabilisation for 5.5-step[FN|CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off. Still-image mode.] compensation

The a7 IV's high-precision stabilisation unit and gyro sensors work with stabilisation algorithms to achieve up to 5.5 steps[FN|CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off. Still-image mode.] of shutter-speed compensation, to maximise the performance of the camera's 33.0MP[FN|Approximate, effective.] sensor. This in-body stabilisation allows effective use with a wide range of lenses. The live monitor view shows the stabilised still image while the shutter button is half-pressed, an especially helpful feature when using a telephoto or macro lens, and it can be used in conjunction with the MF Assist and Focus Magnifier features.

Hand-held movie shooting with Active Mode[FN|Slight image crop in Active Mode. "Standard" setting recommended for focal lengths of 200mm or longer.]

Active Mode[FN|Slight image crop in Active Mode. "Standard" setting recommended for focal lengths of 200mm or longer.] uses the camera's stabilisation unit, gyro sensors and sophisticated algorithms for highly effective in-camera optical image stabilisation during movie shoots. The powerful processing engine precisely detects the required amount of compensation for smooth stabilisation in all formats[FN|Active Mode is not available when recording at 120 (100) fps.], including 4K, without compromising the a7 IV's compact size and mobility. And, because the gyro data is also recorded alongside the video, even more effective post-production stabilisation can be applied for ultra smooth shots using Catalyst Browse/Prepare software[FN|Catalyst version 2021.1 or later is required.].

Buffer memory supports continuous shooting and recording

Both the mechanical and electronic shutters allow continuous shooting at up to 10 fps[FN|Up to 10 fps in continuous “Hi+” mode and up to 8 fps in continuous “Hi” mode. Maximum fps will depend on camera settings. Sony test conditions.] with AF/AE tracking. The latest powerful processing engine and increased buffer memory allow faster writing to memory cards, so you can shoot more than 800[FN|CFexpress Type A memory card is required.] uncompressed RAW+JPEG frames (more than 1600 altogether), or more than 1000 compressed RAW+JPEG frames (more than 2000 altogether, up to a full memory card)[FN|Maximum continuous shooting speed is 6 fps when shooting uncompressed RAW / uncompressed RAW+JPEG images.]. Increased processing power also allows you to change menu settings even while data is being written to the memory card.

Fast Hybrid AF with improved speed, precision and tracking

Using a combination of phase-detection AF and contrast-detection AF, Fast Hybrid AF focuses precisely even on small subjects or on people posed in front of a nighttime background. A wide, dense AF area covers roughly 94 of the image area for both still and movie shooting with 759[FN|759 AF measurement points for still images. The number of points used varies according to the shooting mode.] phase-detection points, while the contrast-detection AF system uses 425 points. This vast collection of data is analysed in real time by the latest powerful processing engine to achieve the AF system's impressive results.

AI-based Real-time Eye AF and Real-time Tracking[FN|Tracking in the menu.]

The superior processing power of the BIONZ XR engine has led to improvements in both Real-time Eye AF and Real-time Tracking features. Improved face detection translates into 30 better eye-detection accuracy[FN|Compared with the a7 III.], while faster image processing yields higher accuracy when the subject is looking up, down, or sideways. Real-time Tracking allows you to select your subject and then leave tracking to the camera, relying on the latest subject recognition algorithm and high-speed analysis of spatial data by the processing engine.

Bird mode for Real-time Eye AF, now available in movies

The Real-time Eye AF function is now capable of detecting the eyes of birds and tracking them in real time, for both still shots and movies. The BIONZ XR engine runs optimised AF and tracking algorithms to ensure uninterrupted tracking even for birds in flight, whose movement is hard to predict. Once you've selected a bird, the camera will automatically detect and precisely track that bird's eye, whether the bird is perched or in flight.

AF control through touch operation

Touch Tracking lets you select a subject to track simply by touching the LCD screen, even while using the viewfinder, for more intuitive AF control for both still shots and movies. Easier focus operation is particularly helpful when you're shooting movies alone or using a gimbal, allowing you to concentrate on composing your shots.

AF Assist for seamless transitions to manual focus[FN|Not available when using the SELP1650, SEL18200LE or A-mount lenses.]

The AF Assist function, inherited from the Cinema Line FX6, lets you seamlessly switch to and from manual focus during movie shoots. When this feature has been turned on, rotating the focus ring temporarily switches operation from autofocus to manual focus to allow you to deliberately shift your focus to a different subject.

Visualise depth of field during movie shoots with Focus Map[FN|The Focus Map function cannot be used under the following conditions: when shooting stills, when the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when using the SEL16F28. For other lenses, please use the latest firmware.]

The new Focus Map[FN|The Focus Map function cannot be used under the following conditions: when shooting stills, when the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when using the SEL16F28. For other lenses, please use the latest firmware.] overlays focus information onto a live real-time display to show which areas are in or out of focus. Being able to clearly visualise depth of field in this way makes it easier to quickly set up your ideal focus point and depth of field during rehearsal. As a result you can use the camera's excellent video definition and fast lenses to create impressive shots with shallow depth of field.

Breathing Compensation[FN|Angle of view and image quality may change slightly when this feature is turned on. Breathing Compensation is not available for unsupported lenses, 120p (100p) movie recording, S&Q recording at 120p (100p), or stills. Compatibility of lenses is limited. Please see Sony support page for lens compatibility. https://www.sony.net/dics/breathing/] for consistent angle of view when focusing

For the first time in the a series, the a7 IV provides compensation for focus breathing. Focus breathing is any change in a lens's angle of view that corresponds to changes in focus[FN|Compatibility of lenses is limited. Please see Sony support page for lens compatibility.]. Sony's original Clear Image Zoom technology is used to automatically maintain a consistent angle of view, for more movie-like focus transitions. This feature can be used in conjunction with Active Mode image stabilisation to shoot stable, consistent imagery.

Still/Movie/S&Q dial for quick access to hybrid capabilities

Befitting the a7 IV's status as a true hybrid camera, it comes equipped with a dedicated Still/Movie/S&Q dial to instantly switch between movies and stills. The dial switches the menus, functions, and custom settings of various controls between still and movie mode, and settings such as aperture and shutter speed are also maintained separately for stills and movies. S&Q mode can also be selected, for fast access to slow-motion or quick-motion shooting.

The latest mode-specific menus and customisable Rear dial R

The a7 IV's menus are specific to either stills or movies, and for easier navigation menus are configured to show three levels of hierarchy at once. Separate functions for stills and for movies can be assigned to various buttons and dials, including the new, freely customisable Rear dial R. With controls tailored to whichever shooting mode you are currently using, the flexible access provided by the Rear dial R contributes to greatly enhanced still and movie shooting efficiency.

Vari-angle LCD monitor for greater freedom when shooting

The large, side-opening 3.0-type 1.03-megadot[FN|Approximate.] touch-panel LCD monitor offers ample brightness for clear viewing in outdoor settings, and its 3:2 aspect ratio makes efficient use of the display area. The vari-angle mechanism allows flexible positioning and framing for handheld shots, gimbal-mounted or documentary-style self-shooting, or very low ground-level shots.

3.68 megadot[FN|Approximate.] high-definition Quad-VGA OLED viewfinder

The a7 IV's Quad-VGA OLED viewfinder provides roughly 1.6 times the resolution of the a7 III viewfinder, with a 37.3° FOV and a 23mm high eyepoint. With high resolution, improved electronic viewfinder image quality, and fogging and dust resistance (including significantly improved internal fogging resistance relative to the a7 III), it is designed for clear and comfortable viewing in a wide range of shooting environments.

Communication features for easy sharing and distribution

The a7 IV is equipped with robust wired and wireless communication features for more comfortable sharing and distribution. In-body wireless LAN uses a 5GHz[FN|5GHz communication may be restricted in some countries and regions.] band in addition to the 2.4GHz[FN|IEEE 802.11 a/b/g/n/ac standards are supported.] band, for fast data transfer. Background FTP transfer of files can be set to occur automatically while shooting continues, and a USB Type-C® connector supports fast SuperSpeed USB 10Gbps (USB 3.2 Gen 2) data transfer.

Instant real-time live streaming via USB connection

Live streaming is as easy as connecting to a computer through a USB connection, and you can choose from four different output formats, including high-resolution 4K video[FN|Available formats are 4K 15p (12.5p), Full HD 60p (50p), Full HD 30p (25p), and HD720 30p (25p).]. You can select whichever configuration is best for current network conditions and the devices used, and simultaneous internal recording is also available, giving you broad flexibility to cover a wide variety of needs.

High-capacity Z batteries and USB Power Delivery[FN|USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adaptor used and camera operating conditions.]

The a7 IV relies on a high-capacity Z battery (NP-FZ100), along with external power options that include USB power supplies[FN|USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adaptor used and camera operating conditions.] and AC adaptors. Battery drain can be minimised by adding a high-capacity mobile battery for outdoor shooting. A USB charger or mobile battery that supports USB PD[FN|9V/3A output. Compatibility is not guaranteed with all USB PD devices. The internal battery will not be charged while camera power is ON and the camera is in use.] can be connected to the camera's USB Type-C® port, for extended recording.

Heat management

To allow extended continuous recording, efficient heat dissipation is provided by Sony's proprietary S (sigma)-shaped thermal mounting. The mounting, which is also used on flagship models, is constructed from a graphite material with excellent thermal conduction properties. This structure allows the image sensor, a major source of heat inside the camera body, to move freely during image stabilisation while heat is efficiently dissipated.

Newly developed 33.0MP[FN|Approximate, effective.] back-illuminated CMOS image sensor

Dual media slots allow you to continue shooting even if one memory card fills up. One of the slots supports high-performance CFexpress Type A cards[FN|CFexpress Type B memory cards are not supported.], and both slots support UHS-I and UHS-II SDXC/SDHC cards. With their fast write speeds, CFexpress Type A cards are particularly suited to high-speed continuous still shooting as well as high-resolution, high-bitrate 4K movie recording.

Reliable, robust engineering

We have improved the dust and moisture resistance[FN|Not guaranteed to be 100% dust and moisture proof.] of the a7 IV to provide outstanding reliability even in challenging outdoor shooting environments. Design refinements include more sealing at body seams and the battery compartment cover (compared to the a7 III), a redesigned lens lock button, and extra cushioning around the mount. A lightweight, high-rigidity magnesium alloy used for the camera's top cover, front cover, and internal frame provides excellent durability.

Consideration for the environment and resource conservation

Sony's "Road to Zero" environmental plan was launched in 2010 with the ultimate goal of achieving a zero environmental footprint. Currently nearly all plastic packaging materials for the a7 IV are recycled. Recyclable materials are also used for camera bodies whenever possible, reducing environmental burden without compromising functionality. While retaining state-of-the-art performance, we aim to further reduce energy and resource consumption to reduce the burden on the environment.

Imaging Edge Desktop™ / Imaging Edge Mobile™

Expand your creative horizons with Imaging Edge Desktop[FN|Imaging Edge Desktop version 3.2 or later is required.] and Imaging Edge Mobile[FN|Imaging Edge Mobile version 7.6 or later is required.]. The Imaging Edge Desktop PC application lets you control and monitor shoots directly from your PC screen, preview photos, and develop RAW/HEIF data into high-quality photos for delivery. Imaging Edge Mobile applications use the Wi-Fi and Bluetooth® functionality of the a7 IV to provide a wide variety of convenient shooting and sharing functions.

Works with iMovie and Final Cut Pro X

This product is compatible with Final Cut Pro X and iMovie.[FN|Final Cut Pro, iMovie, and Mac® are trademarks of Apple Inc., registered in the U.S. and other countries. The Mac logo is a trademark of Apple Inc.]

Information on security updates

Where a Sony product contains software that is subject to updates, Sony may issue security updates and updates necessary for the proper functioning of the device.

SPECIFICATIONS

Lens

Lens Mount

E-mount

Image Sensor

Aspect Ratio

3:2

Number Of Pixels (Effective)

Approx. 33.0 megapixels

Number of Pixels (total)

Approx. 34.1 megapixels

Sensor Type

35 mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor

Anti-Dust System

Yes (Charge protection coating on optical filter and image sensor shift mechanism)

Recording (still images)

Recording Format

JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)

Picture Effect

14bit RAW

Yes

Image Quality Modes

RAW (Compressed / Lossless Compressed (L / M / S) / Uncompressed), JPEG (Extra fine / Fine / Standard / Light), HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard / Light), RAW & JPEG, RAW & HEIF

Creative Style

Picture Effect

Picture Profile

Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

Picture Effect

Creative Style

CREATIVE LOOK

ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

Creative Style

Picture Profile

Picture Effect

Yes

CREATIVE LOOK

ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

Picture Profile

CREATIVE LOOK

ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

Dynamic Range Functions

Off, Dynamic Range Optimizer

Picture Effect

Yes

Picture Effect

Yes

Dynamic Range Functions

Off, Dynamic Range Optimizer

Colour Space

sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut).

14bit RAW

Yes

Dynamic Range Functions

Off, Dynamic Range Optimizer

Colour Space

sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut).

Colour Space

sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut).

Recording (movie)

Recording Format

XAVC S, XAVC HS

Recording system (Still Image)

Recording Format

JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)

14bit RAW

Yes

Image Quality Modes

RAW (Compressed / Lossless Compressed (L / M / S) / Uncompressed), JPEG (Extra fine / Fine / Standard / Light), HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard / Light), RAW & JPEG, RAW & HEIF

Colour Space

Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut)

Picture Effect

Recording Format

XAVC S, XAVC HS

Recording Format

XAVC S, XAVC HS

Creative Style

Video Compression

XAVC S: MPEG-4 AVC / H.264, XAVC HS: MPEG-H HEVC / H.265

SOFT SKIN EFFECT

Yes

Audio Recording Format

LPCM 2 ch (48 kHz 16 bit), LPCM 2 ch (48 kHz 24 bit), LPCM 4 ch (48 kHz 24 bit), MPEG-4 AAC-LC 2 ch

Colour Space

Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut)

Colour Space

Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut)

Picture Profile

Picture Effect

Creative Style

Picture Effect

CREATIVE LOOK

ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

MOVIE RECORDING SYSTEM (XAVC HS 4K)

3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 60p (150 Mbps / 75 Mbps / 45 Mbps), 24p (100 Mbps / 50 Mbps / 30 Mbps), 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 50p (150 Mbps / 75 Mbps / 45 Mbps), 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (200 Mbps / 100 Mbps), 24p (100 Mbps / 50 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (200 Mbps / 100 Mbps)

SOFT SKIN EFFECT

Yes

Creative Style

Picture Profile

MOVIE RECORDING SYSTEM (XAVC S 4K)

3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 60p (150 Mbps), 30p (100 Mbps / 60 Mbps), 24p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 50p (150 Mbps), 25p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (200 Mbps), 30p (140 Mbps), 24p (100 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (200 Mbps), 25p (140 Mbps)

SOFT SKIN EFFECT

Yes

MOVIE RECORDING SYSTEM (XAVC S HD)

1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100 Mbps / 60 Mbps), 60p (50 Mbps / 25 Mbps), 30p (50 Mbps / 16 Mbps), 24p (50 Mbps), 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps), 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50 Mbps), 30p (50 Mbps), 24p (50 Mbps), 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50 Mbps), 25p (50 Mbps)

CREATIVE LOOK

ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

Picture Profile

MOVIE RECORDING SYSTEM (XAVC S-I 4K)

3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600 Mbps), 30p (300 Mbps), 24p (240 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500 Mbps), 25p (250 Mbps)

CREATIVE LOOK

ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

MOVIE RECORDING SYSTEM (XAVC HS 4K)

MOVIE RECORDING SYSTEM (XAVC S-I HD)

1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222 Mbps), 30p (111 Mbps), 24p (89 Mbps), 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185 Mbps), 25p (93 Mbps)

MOVIE RECORDING SYSTEM (XAVC S 4K)

MOVIE RECORDING SYSTEM (XAVC S HD)

SLOW & QUICK MOTION (SHOOTING FRAME RATE)

NTSC mode: 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, 120 fps, PAL mode: 1 fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps

MOVIE RECORDING SYSTEM (XAVC S HD)

MOVIE RECORDING SYSTEM (XAVC S-I 4K)

3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600 Mbps), 30p (300 Mbps), 24p (240 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500 Mbps), 25p (250 Mbps)

Movie Functions

Audio Level Display, Audio Rec Level, PAL / NTSC Selector, Proxy Recording (1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)), TC / UB, Auto Slow Shutter, Gamma Disp. Assist

MOVIE RECORDING SYSTEM (XAVC S-I 4K)

3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600 Mbps), 30p (300 Mbps), 24p (240 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500 Mbps), 25p (250 Mbps)

MOVIE RECORDING SYSTEM (XAVC S-I HD)

1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222 Mbps), 30p (111 Mbps), 24p (89 Mbps), 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185 Mbps), 25p (93 Mbps)

USB Streaming

VIDEO DATA FORMAT

MJPEG, YUV420

MOVIE RECORDING SYSTEM (XAVC S-I HD)

1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222 Mbps), 30p (111 Mbps), 24p (89 Mbps), 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185 Mbps), 25p (93 Mbps)

SLOW & QUICK MOTION (SHOOTING FRAME RATE)

NTSC mode: 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, 120 fps, PAL mode: 1 fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps

Movie Functions

SLOW & QUICK MOTION (SHOOTING FRAME RATE)

NTSC mode: 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, 120 fps, PAL mode: 1 fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps

VIDEO RESOLUTION

3840 x 2160 (15p / 12.5p) / 1920 x 1080 (60p / 50p / 30p / 25p) / 1280 x 720 (30p / 25p)

AUDIO DATA FORMAT

LPCM 2 ch (16 bit 48 kHz)

Movie Functions

Recording system (movie)

VIDEO COMPRESSION

XAVC S: MPEG-4 AVC / H.264, XAVC HS: MPEG-H HEVC / H.265

SIMULTANEOUS INTERNAL RECORDING

Yes

AUDIO RECORDING FORMAT

LPCM 2 ch (48 kHz 16 bit), LPCM 2 ch (48 kHz 24 bit), LPCM 4 ch (48 kHz 24 bit), MPEG-4 AAC-LC 2 ch

VIDEO DATA FORMAT

MJPEG, YUV420

Recording System

Location information Link from smartphone

Yes

VIDEO RESOLUTION

3840 x 2160 (15p / 12.5p) / 1920 x 1080 (60p / 50p / 30p / 25p) / 1280 x 720 (30p / 25p)

Media

SD memory card, SDHC memory card (UHS-I / II compliant), SDXC memory card (UHS-I / II compliant), CFexpress Type A memory card

VIDEO DATA FORMAT

MJPEG, YUV420

AUDIO DATA FORMAT

LPCM 2 ch (16 bit 48 kHz)

VIDEO RESOLUTION

3840 x 2160 (15p / 12.5p) / 1920 x 1080 (60p / 50p / 30p / 25p) / 1280 x 720 (30p / 25p)

Memory Card Slot

SLOT1: Multi slot for SD (UHS-I / II compliant) memory card / CFexpress Type A card, SLOT2: Slot for SD (UHS-I / II compliant) memory card

SIMULTANEOUS INTERNAL RECORDING

Yes

Recording mode on 2 memory cards

Simult. Rec, Sort, Auto Switch Media, Copy

AUDIO DATA FORMAT

LPCM 2 ch (16 bit 48 kHz)

Location information Link from smartphone

Yes

SIMULTANEOUS INTERNAL RECORDING

Yes

Media

SD memory card, SDHC memory card (UHS-I / II compliant), SDXC memory card (UHS-I / II compliant), CFexpress Type A memory card

Noise reduction

Noise Reduction

Long exposure NR: On / Off, available at shutter speeds longer than 1 s, High ISO NR: Normal / Low / Off

Memory Card Slot

SLOT1: Multi slot for SD (UHS-I / II compliant) memory card / CFexpress Type A card, SLOT2: Slot for SD (UHS-I / II compliant) memory card

Location information Link from smartphone

Yes

White Balance

White Balance Modes

Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900 K) & color filter / Custom

Recording mode on 2 memory cards

Simult. Rec, Sort, Auto Switch Media, Copy

Media

SD memory card, SDHC memory card (UHS-I / II compliant), SDXC memory card (UHS-I / II compliant), CFexpress Type A memory card

SHUTTER AWB LOCK

Yes (Shut. Halfway Down / Cont. Shooting / Off)

Memory Card Slot

SLOT1: Multi slot for SD (UHS-I / II compliant) memory card / CFexpress Type A card, SLOT2: Slot for SD (UHS-I / II compliant) memory card

Recording mode on 2 memory cards

Simult. Rec, Sort, Auto Switch Media, Copy

Noise Reduction

Long exposure NR: On / Off, available at shutter speeds longer than 1 s, High ISO NR: Normal / Low / Off

Focus

Focus Type

Fast Hybrid AF (phase-detection AF / contrast-detection AF)

Noise Reduction

Long exposure NR: On / Off, available at shutter speeds longer than 1 s, High ISO NR: Normal / Low / Off

Focus Sensor

Exmor R CMOS sensor

White Balance Modes

Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900 K) & color filter / Custom

Focus Point

35 mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 713 points (phase-detection AF), with APS-C lens: 575 points (phase-detection AF) / 425 points (contrast-detection AF)

SHUTTER AWB LOCK

Yes (Shut. Halfway Down / Cont. Shooting / Off)

Focus Sensitivity Range

EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)

White Balance Modes

Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900 K) & color filter / Custom

Focus Mode

AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

SHUTTER AWB LOCK

Yes (Shut. Halfway Down / Cont. Shooting / Off)

Focus Type

Fast Hybrid AF (phase-detection AF / contrast-detection AF)

Focus Sensor

Exmor R CMOS sensor

Focus Area

Wide / Zone / Center Fix / Spot / Expand Spot / Tracking

Focus Type

Fast Hybrid AF (phase-detection AF / contrast-detection AF)

Focus Point

35 mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 713 points (phase-detection AF), with APS-C lens: 575 points (phase-detection AF) / 425 points (contrast-detection AF)

EYE AF / SUBJECT RECOGNITION AF

[Still images] Human (Right / Left Eye Select) / Animal (Right / Left Eye Select) / Bird, [Movie] Human (Right / Left Eye Select) / Animal (Right / Left Eye Select) / Bird

Focus Sensor

Exmor R CMOS sensor

Focus Sensitivity Range

EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)

Other Features

Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V / H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)

AF Illuminator

Yes (with Built-in LED type)

Focus Point

35 mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 713 points (phase-detection AF), with APS-C lens: 575 points (phase-detection AF) / 425 points (contrast-detection AF)

Focus Mode

AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

Focus Sensitivity Range

EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)

AF Illuminator range

Approx. 0.3 m - approx. 3.0 m (with FE 28-70 mm F3.5-5.6 OSS lens attached)

Focus Area

Wide / Zone / Center Fix / Spot / Expand Spot / Tracking

Focus Mode

AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

EYE AF

[Still images] Human (Right / Left Eye Select) / Animal (Right / Left Eye Select) / Bird, [Movie] Human (Right / Left Eye Select) / Animal (Right / Left Eye Select) / Bird

Focus type with LA-EA3 (Sold separately)

Phase-detection

Other Features

Focus Area

Wide / Zone / Center Fix / Spot / Expand Spot / Tracking

AF Illuminator

Yes (with Built-in LED type)

EYE AF / SUBJECT RECOGNITION AF

[Still images] Human (Right / Left Eye Select) / Animal (Right / Left Eye Select) / Bird, [Movie] Human (Right / Left Eye Select) / Animal (Right / Left Eye Select) / Bird

Exposure

Metering Sensor

Exmor R CMOS sensor

Other Features

AF Illuminator range

Approx. 0.3 m - approx. 3.0 m (with FE 28-70 mm F3.5-5.6 OSS lens attached)

Metering Sensitivity

EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

AF Illuminator

Yes (with Built-in LED type)

Focus type with LA-EA3 (Sold separately)

Phase-detection

Metering Mode

Multi-segment, Center-weighted, Spot (Standard / Large), Entire Screen Avg., Highlight

AF Illuminator range

Approx. 0.3 m - approx. 3.0 m (with FE 28-70 mm F3.5-5.6 OSS lens attached)

Exposure Compensation

+ / - 5.0 EV (1 / 3 EV, 1 / 2 EV steps selectable)

Focus type with LA-EA3 (Sold separately)

Phase-detection

Metering Type

1200-zone evaluative metering

Exposure Bracketing

Bracket: Cont., Bracket: Single, 3 / 5 / 9 frames selectable. (Ambient light, Flash light)

AE Lock

Locked when shutter button is pressed halfway. Available with AE lock button. (On / Off / Auto)

Metering Sensor

Exmor R CMOS sensor

Exposure Modes

[Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M), [Movie] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Slow & Quick Motion] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. Mode

Metering Sensitivity

EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

Metering Sensor

Exmor R CMOS sensor

ISO Sensitivity

Still images: ISO 100-51200 (ISO numbers from 50 to 204800 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-51200 equivalent (ISO numbers up to 102400 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit)

Metering Mode

Multi-segment, Center-weighted, Spot (Standard / Large), Entire Screen Avg., Highlight

Metering Sensitivity

EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

Metering Mode

Multi-segment, Center-weighted, Spot (Standard / Large), Entire Screen Avg., Highlight

Exposure Compensation

+ / - 5.0 EV (1 / 3 EV, 1 / 2 EV steps selectable)

Anti-flicker Shoot.

Yes

Exposure Bracketing

Bracket: Cont., Bracket: Single, 3 / 5 / 9 frames selectable. (Ambient light, Flash light)

Scene Selection

Exposure Compensation

+ / - 5.0 EV (1 / 3 EV, 1 / 2 EV steps selectable)

AE Lock

Locked when shutter button is pressed halfway. Available with AE lock button. (On / Off / Auto)

Exposure Bracketing

Bracket: Cont., Bracket: Single, 3 / 5 / 9 frames selectable. (Ambient light, Flash light)

AE Lock

Locked when shutter button is pressed halfway. Available with AE lock button. (On / Off / Auto)

Metering Type

1200-zone evaluative metering

Exposure Modes

ISO Sensitivity (Recommended Exposure Index)

Anti-flicker Shoot.

Yes

ISO Sensitivity

Viewfinder

Viewfinder Type

1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)

Number of Dots

3 686 400 dots

Scene Selection

Anti-flicker Shoot.

Yes

Field Coverage

100%

Scene Selection

Magnification

Approx. 0.78x (with 50 mm lens at infinity, -1m-1)

Viewfinder Type

1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)

Dioptre Adjustment

-4.0 to +3.0 m-1

Number of Dots

3 686 400 dots

Metering Type

1200-zone evaluative metering

Field Coverage

100%

Eye Point

Approx. 23 mm from the eyepiece lens, 18.5 mm from the eyepiece frame at -1m-1 (CIPA standard)

DISPLAY FUNCTION

Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emphasized display during REC

Viewfinder Type

1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)

Magnification

Approx. 0.78x (with 50 mm lens at infinity, -1m-1)

Finder Frame Rate Selection

STD 60 fps / HI 120 fps

Dioptre Adjustment

-4.0 to +3.0 m-1

Number of Dots

3 686 400 dots

Field Coverage

100%

Eye Point

Approx. 23 mm from the eyepiece lens, 18.5 mm from the eyepiece frame at -1m-1 (CIPA standard)

DISPLAY FUNCTION

Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emphasized display during REC

LCD Screen

Monitor Type

7.5 cm (3.0-type) type TFT

Magnification

Approx. 0.78x (with 50 mm lens at infinity, -1m-1)

Finder Frame Rate Selection

STD 60 fps / HI 120 fps

Number of Dots

1 036 800 dots

Dioptre Adjustment

-4.0 to +3.0 m-1

Touch Panel

Yes

Eye Point

Approx. 23 mm from the eyepiece lens, 18.5 mm from the eyepiece frame at -1m-1 (CIPA standard)

Brightness Control

Manual (5 steps between -2 and +2), Sunny Weather mode

Monitor Type

7.5 cm (3.0-type) type TFT

DISPLAY FUNCTION

Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emphasized display during REC

Finder Frame Rate Selection

STD 60 fps / HI 120 fps

Number of Dots

1 036 800 dots

Adjustable Angle

Opening Angle: Approx. 176 °., Rotation Angle: Approx. 270 °.

Focus Magnifier

Yes, Focus Magnifier (35 mm full frame: 5.5x / 11.0x, APS-C: 3.7x / 7.3x)

Touch Panel

Yes

Brightness Control

Manual (5 steps between -2 and +2), Sunny Weather mode

Monitor Type

7.5 cm (3.0-type) type TFT

Adjustable Angle

Opening Angle: Approx. 176 °., Rotation Angle: Approx. 270 °.

Number of Dots

1 036 800 dots

PlayMemories Camera Apps™

Touch Panel

Yes

Focus Magnifier

Yes, Focus Magnifier (35 mm full frame: 5.5x / 11.0x, APS-C: 3.7x / 7.3x)

Clear Image Zoom

Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD)

Touch Panel

Yes

Number of Dots

1 036 800 dots

Brightness Control

Manual (5 steps between -2 and +2), Sunny Weather mode

Face Detection

Modes: Face / Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority

Adjustable Angle

Opening Angle: Approx. 176 °., Rotation Angle: Approx. 270 °.

Self-Portrait Self-timer

PlayMemories Camera Apps™

Others

Clear Image Zoom

Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD)

Focus Magnifier

Yes, Focus Magnifier (35 mm full frame: 5.5x / 11.0x, APS-C: 3.7x / 7.3x)

Face Detection

Modes: Face / Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority

Self-Portrait Self-timer

PlayMemories Camera Apps™

Shutter

Type

Electronically-controlled, vertical-traverse, focal-plane type

Others

Shutter Type

Mechanical shutter / Electronic shutter

Clear Image Zoom

Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD)

Face Detection

Modes: Face / Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority

Shutter Speed

Still images: 1 / 8000 to 30 s, Bulb, Movies (NTSC mode): 1 / 8000 to 1 / 4 (1 / 3 steps), up to 1 / 60 in AUTO mode (up to 1 / 30 in Auto slow shutter mode), Movies (PAL mode): 1 / 8000 to 1 / 4 (1 / 3 steps), up to 1 / 50 in AUTO mode (up to 1 / 25 in Auto slow shutter mode)

Self-Portrait Self-timer

Flash Sync. Speed

1 / 250 s (35 mm full frame), 1 / 320 s (APS-C)

Type

Electronically-controlled, vertical-traverse, focal-plane type

Shutter Type

Mechanical shutter / Electronic shutter

Others

Electronic Front Curtain Shutter

Yes (ON / OFF)

Shutter Speed

Silent Shooting

Yes (ON / OFF)

Type

Electronically-controlled, vertical-traverse, focal-plane type

Flash Sync. Speed

1 / 250 s (35 mm full frame), 1 / 320 s (APS-C)

Image Stabilization

Type

Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

Electronic Front Curtain Shutter

Yes (ON / OFF)

Shutter Type

Mechanical shutter / Electronic shutter

Compensation Effect

5.5 stops (based on CIPA standard. Pitch / yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)

Shutter Speed

Silent Shooting

Yes (ON / OFF)

Flash Sync. Speed

1 / 250 s (35 mm full frame), 1 / 320 s (APS-C)

Electronic Front Curtain Shutter

Yes (ON / OFF)

Type

Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

Flash Control

Control

Pre-flash TTL

Silent Shooting

Yes (ON / OFF)

Flash Compensation

+ / - 3.0 EV (switchable between 1 / 3 and 1 / 2 EV steps)

Compensation Effect

5.5 stops (based on CIPA standard. Pitch / yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)

Flash Modes

Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on / off selectable), Wireless, Hi-speed sync.

Control

Pre-flash TTL

Type

Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

Recycling Time

External Flash Compatibility

Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

Compensation Effect

5.5 stops (based on CIPA standard. Pitch / yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)

Flash Compensation

+ / - 3.0 EV (switchable between 1 / 3 and 1 / 2 EV steps)

Flash Modes

Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on / off selectable), Wireless, Hi-speed sync.

FE Level Lock

Yes

Recycling Time

Wireless Control

Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)

Control

Pre-flash TTL

External Flash Compatibility

Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

Flash Compensation

+ / - 3.0 EV (switchable between 1 / 3 and 1 / 2 EV steps)

FE Level Lock

Yes

Drive

Drive Modes

Single Shooting, Continuous shooting (Hi+ / Hi / Mid / Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

Flash Modes

Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on / off selectable), Wireless, Hi-speed sync.

Continuous Drive Speed (approx. max.)

Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps

Recycling Time

Wireless Control

Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)

No. of recordable frames (approx.)

JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPEG: over 1000 frames, RAW (Lossless Compressed): over 1000 frames, RAW (Lossless Compressed) & JPEG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPEG: 828 frames

External Flash Compatibility

Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

Self-Timer

10 s delay / 5 s delay / 2 s delay / Continuous self-time / Bracketing self-timer

Drive Modes

Single Shooting, Continuous shooting (Hi+ / Hi / Mid / Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

FE Level Lock

Yes

Type

Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

Wireless Control

Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)

Continuous Drive Speed (approx. max.)

Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps

Pixel Shift Multi Shooting

Compensation Effect

5.5 stops (based on CIPA standard. Pitch / yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)

No. of recordable frames (approx.)

Playback

Photo Capture

Yes

Drive Modes

Single Shooting, Continuous shooting (Hi+ / Hi / Mid / Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

Self-Timer

10 s delay / 5 s delay / 2 s delay / Continuous self-time / Bracketing self-timer

Pixel Shift Multi Shooting

Continuous Drive Speed (approx. max.)

Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps

Compatible Standards

Exif Print, Print Image Matching III

No. of recordable frames (approx.)

Photo Capture

Yes

Self-Timer

10 s delay / 5 s delay / 2 s delay / Continuous self-time / Bracketing self-timer

Custom function

Type

Custom key settings, My Menu, My Dial Settings, Reg Cust Shoot Set, Programmable Setting (Body 9 sets / memory card 12 sets)

Pixel Shift Multi Shooting

Interface

PC Interface

Mass-storage / MTP

Photo Capture

Yes

Lens Compensation

Setting

Peripheral Shading, Chromatic Aberration, Distortion, Breathing (Movie)

Multi / Micro USB Terminal

Yes

Bluetooth

Yes (Bluetooth Standard Ver. 4.1 (2.4 GHz band))

PC Interface

Mass-storage / MTP

Compatible Standards

Exif Print, Print Image Matching III

Multi Interface Shoe

Yes (with Digital Audio Interface)

Multi / Micro USB Terminal

Yes

Mic Terminal

Yes (3.5 mm Stereo minijack)

Bluetooth

Yes (Bluetooth Standard Ver. 4.1 (2.4 GHz band))

Type

Custom key settings, My Menu, My Dial Settings, Reg Cust Shoot Set, Programmable Setting (Body 9 sets / memory card 12 sets)

Sync Terminal

Multi Interface Shoe

Yes (with Digital Audio Interface)

Headphone Terminal

Yes (3.5 mm Stereo minijack)

Mic Terminal

Yes (3.5 mm Stereo minijack)

Vertical Grip Connector

Yes

Setting

Peripheral Shading, Chromatic Aberration, Distortion, Breathing (Movie)

Sync Terminal

LAN Terminal

PC Interface

Mass-storage / MTP

FUNCTIONS

FTP Transfer Func. (Wired LAN(USB-LAN), USB Tethering, Wi-Fi), View on Smartphone, Remote control via Smartphone, PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD

Headphone Terminal

Yes (3.5 mm Stereo minijack)

Multi / Micro USB Terminal

Yes

Vertical Grip Connector

Yes

LAN Terminal

Sync Terminal

Audio

Microphone

Built-in, stereo

Bluetooth

Yes (Bluetooth Standard Ver. 4.1 (2.4 GHz band))

Speaker

Built-in, monaural

FUNCTIONS

FTP Transfer Func. (Wired LAN(USB-LAN), USB Tethering, Wi-Fi), View on Smartphone, Remote control via Smartphone, PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD

Bluetooth

Yes (Bluetooth Standard Ver. 4.1 (2.4 GHz band))

Multi Interface Shoe

Yes (with Digital Audio Interface)

Mic Terminal

Yes (3.5 mm Stereo minijack)

Multi Interface Shoe

Yes (with Digital Audio Interface)

Compatible Standards

Exif Print, Print Image Matching III

Size & Weight

Weight (with battery and memory card included)

Approx. 658 g (approx. 1 lb 7.3 oz)

Sync Terminal

Vertical Grip Connector

Yes

Headphone Terminal

Yes (3.5 mm Stereo minijack)

Dimensions (W x H x D)

Approx. 131.3 mm x 96.4 mm x 79.8 mm, approx. 131.3 mm x 96.4 mm x 69.7 mm (From grip to monitor) (approx. 5 1 / 4 x 3 7 / 8 x 3 1 / 4 inches, approx. 5 1 / 4 x 3 7 / 8 x 2 3 / 4 inches (From grip to monitor))

Mic Terminal

Yes (3.5 mm Stereo minijack)

Vertical Grip Connector

Yes

Type

Custom key settings, My Menu, My Dial Settings, Reg Cust Shoot Set, Programmable Setting (Body 9 sets / memory card 12 sets)

Headphone Terminal

Yes (3.5 mm Stereo minijack)

LAN Terminal

Microphone

Built-in, stereo

Speaker

Built-in, monaural

Setting

Peripheral Shading, Chromatic Aberration, Distortion, Breathing (Movie)

FUNCTIONS

FTP Transfer Func. (Wired LAN(USB-LAN), USB Tethering, Wi-Fi), View on Smartphone, Remote control via Smartphone, PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD

Weight (with battery and memory card included)

Approx. 658 g (approx. 1 lb 7.3 oz)

Power

Supplied battery

One rechargeable battery pack NP-FZ100

Microphone

Built-in, stereo

Dimensions (W x H x D)

Internal Battery Charge

Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

Speaker

Built-in, monaural

USB Power supply

Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

Microphone

Built-in, stereo

Supplied battery

One rechargeable battery pack NP-FZ100

Operating Temperature

0 - 40 ? / 32 - 104 °F

Speaker

Built-in, monaural

Internal Battery Charge

Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

USB Power supply

Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

Supplied battery

One rechargeable battery pack NP-FZ100

Weight (with battery and memory card included)

Approx. 658 g (approx. 1 lb 7.3 oz)

Weight (with battery and memory card included)

Approx. 658 g (approx. 1 lb 7.3 oz)

Dimensions (W x H x D)

Operating Temperature

0 - 40 ? / 32 - 104 °F

Internal Battery Charge

Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

USB Power supply

Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

Dimensions (W x H x D)

Weight (with battery and memory card included)

Approx. 658 g (approx. 1 lb 7.3 oz)

Dimensions (W x H x D)

Operating Temperature

0 - 40 ? / 32 - 104 °F

Alpha 7 IV full-frame hybrid camera with Sony 28-70 mm F3.5-5.6 Kit Lens

SPECIAL OFFERS

FEATURES

Newly developed 33.0MP[FN|Approximate, effective.] back-illuminated CMOS image sensor

BIONZ XR™ image processor for up to 8x[FN|Compared to the BIONZ X image processing engine. Sony tests.] processing speed

Beautiful image rendering with low noise

Smoother gradation rendering with 10-bit HEIF recording

4K 60p[FN|QFHD (3840×2160). 4K 60p (50p) recording available in Super 35 mode only.] recording, 4:2:2 10-bit recording

Set the mood, in-camera, with Creative Look

Beautiful colour expression made simple, with S-Cinetone™

S-Log for colour matching with professional video equipment

Soft Skin Effect for bright and beautiful skin appearance

Optical 5-axis in-body image stabilisation for 5.5-step[FN|CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off. Still-image mode.] compensation

Hand-held movie shooting with Active Mode[FN|Slight image crop in Active Mode. "Standard" setting recommended for focal lengths of 200mm or longer.]

Buffer memory supports continuous shooting and recording

Fast Hybrid AF with improved speed, precision and tracking

AI-based Real-time Eye AF and Real-time Tracking[FN|Tracking in the menu.]

Bird mode for Real-time Eye AF, now available in movies

AF control through touch operation

AF Assist for seamless transitions to manual focus[FN|Not available when using the SELP1650, SEL18200LE or A-mount lenses.]

Still/Movie/S&Q dial for quick access to hybrid capabilities

The latest mode-specific menus and customisable Rear dial R

Vari-angle LCD monitor for greater freedom when shooting

3.68 megadot[FN|Approximate.] high-definition Quad-VGA OLED viewfinder

Communication features for easy sharing and distribution

Instant real-time live streaming via USB connection

Heat management

Newly developed 33.0MP[FN|Approximate, effective.] back-illuminated CMOS image sensor

Reliable, robust engineering

Consideration for the environment and resource conservation

Imaging Edge Desktop™ / Imaging Edge Mobile™

Works with iMovie and Final Cut Pro X

Information on security updates

SPECIFICATIONS

Centres Direct